Monopolis

 January 30 through April 11, 2027

Article 544 of the Civil Code states that “Ownership is the right to enjoy and dispose of property in the most absolute manner, provided that such use is not prohibited by law or regulation. ” This right of ownership lies at the heart of our legal and economic system, particularly in the realm of real property such as land (whether natural, agricultural, or developed), ecosystems (forests, marshes, dunes), or buildings (houses, apartments, and commercial properties).

Derived from Roman law, our property law distinguishes between usus (the right to use the thing), fructus (the right to enjoy its fruits), and abusus (the right to dispose of the thing, including the right to alter, destroy, or sell it).

What does property mean in the context of an unprecedented situation, both ecologically and socially? How should material planetary limits (crises in resources, energy, and waste), the urgency of land preservation (biodiversity crisis), and the challenges of greater social justice (housing crisis) prompt us to question what belongs to us and what we hold dear?

No architectural project can be separated from the commissioning framework within which it is conceived and, by definition, from the type of property that underlies it. Whether involving public actors, private operators, or entities serving the public interest, each relationship to property is fundamentally distinct, sometimes complementary or in competition.

This exhibition project aims to tell the story of this sacrosanct concept of property, share observations on its current state (who owns what?), and open up to near and distant alternatives that explore other ways of being and having, leading to new ways of living.
Informations
Curated by:
Nicola Delon, Encore Heureux
Nicolas Détrie, YesWeCamp 
and Catherine Sabbah, Executive Director of IDHEAL
in collaboration with a collective of architects, urban planners, economists, and architects


“Habiter le monde” Biennial
“Jours meilleurs” Exhibition


The first edition of the “Habiter le monde” Biennial, the group exhibition “Jours meilleurs” lies at the intersection of art and architecture. Through narratives and forms, it explores the practices, challenges, and imaginaries that shape our relationships with places, others, and our environments, while opening up perspectives for collective invention.

This exhibition brings together artists and architects around a shared question: How can we live, coexist, repair, and transform in an era of social, ecological, and democratic crises? From the hut to the imagined city, from urgency to utopia, creations, models, works never before seen in France, reactivated installations, and iconic architectural structures compose a sensitive cartography of our ways of being in the world.

Several themes explore major contemporary issues: property, solidarity, adaptability, life, and memory—of bodies or territories. Complementing this thematic perspective is a constant interplay of scales between the intimate and the collective, the body and space, and the local and the global. A true “city within a city,” CENTQUATRE-PARIS transforms into a full-scale experimental space. Its spaces thus offer a constellation of worlds to explore and discover.

A co-production of Pavillon de l’Arsenal and CENTQUATRE-PARIS
Partner(s)

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